Classy deep ambient record straight outta the synthesized, fantastical side of the mid 80's. Budd treads some interesting ground here, as if trying to one up both Brian Eno and David Sylvian simultaneously in a single fell swoop of the keyboard.
In other words, not a bad soundtrack to someone's hypothetical alternative take on Blade Runner. Makes for a helluva sleeping aid too!
This is a point of contention I suppose, but I personally consider this turn-of-the-decade album one of the best synth-pop excursions ever crafted and the magnum opus of the Boys from the land of ice and snow. Those gorgeous keyboard textures, dem early 90's beatz, all the slick orchestral flourishes on tracks such as 'My October Symphony'...its a stone cold classic, ladies and gents. Opening number 'Being Boring' features the ever popular Johnny Marr on guitar as well!
New Age chillzak to the extreme-o. Most of this bro's output is the stuff of dentist offices and message parlors, but this particular record tries a bit more on the composition front and thus comes rather recommended to the particularly laid back among you.
Japan's top smooth fusion commodity released this excellent set of cuts back in 2007, and its got the chops to make it the ideal entry point into their mindbogglingly large back catalog. It's got a bit of everything: breezy synthesizers, acoustic and shred-friendly electric guitar, all kinds of percussion and plenty of brass for the purists too. Lots of fun improv going on here...and there's even a catchy melody or two ('Flying Colors') to keep the more casual jazz fan interested.
Pretty high up there on the quality front as far as smooth/contemporary jazz is concerned, and an excellent addition to any cruise catering playlist you've got on hand!
Merry old England's ecologically-minded answer to Dream Theater's Images & Words, and even in retrospect I find it a rather entertaining beginning for one of the world's mainstray progressive metal giants. The keyboards aren't pushed into the forefront quite as much as some of their contemporaries were prone to, and the guitar work here is wonderfully thrashy even at its most melodic.
Bloody excellent documentary detailing the golden years of Progressive Rock in the U.K. from the late 60's through the late 70's. 'Tis a bit lengthy I admit, but nevertheless a fascinating journey into a much-maligned genre.